10 Nov 2013

A Concert at Christ Church Southgate

We had a concert at Christ Church, Southgate in London

Performers:
Viola da Cunha (mezzo soprano)
Yuki Osedo (piano)
Jill Anderson (clarinet)
Ryusuke Koarashi (Guitar)
Ayumi Toyama (Melodica)

Programme:
De Falla: 5 spanish popular songs
Musa Mirzayev: Lyrical Piece & 1st Dance from 6 Pieces (of Azerbaijan Folklore)
Granados: El Majo Discreto, Amor y Odio
Rodrigo: DE Los Alamos Vengo Madre
Folk Song: Sari Gelin
Gershwin: Summertime (together with all performers)

29 Oct 2013

Oshin’s theme, with Melodica & Guitar

Our performance of “Oshin’s theme” has been available on youtube. “Oshin” was a very popular Japanese TV drama broadcasted in 1980s. And it eventually became the most watched Japanese drama inside and outside the country, especially in Asia (They have not broadcasted in UK or most of European countries). Composed by Koichi Sakata.


Melodica: Ayumi Toyama
Guitar & Arrangement: Ryusuke Koarashi
The arrangement score is available to purchase from here. But as the website does not have a good translation for non-Japanese customer, please feel free to ask us if you find difficulty with the procedure to buy the score.


Instruction for performace:
Bar 18: Guitar takes the main melody and Melodica goes to background so should play softly.
Bar 20: Melodica gradually gets louder to the bar 21.
Bar 21: Notice that the melody on the guitar is passed to Melodica on the first beat.
Bar 24: The chord of Dm which the F# on the Em key is altered sounds impressive, and that forms the Plagal cadence with Am in the next bar. It might be nice to play softly.
Bar 27: The melody line gradually gets louder (crescendo) towards the bar 30. Melodica normally has more volume when plays single note than a chord, so be careful not to make it too loud at the bar 27.

Amachan Opening Theme, Melodica & Guitar

Our video clip of performing "Amachan opening theme" is available on Youtube. "Amachan" was a very popular TV drama series in Japan, finished broadcasting recently.




Melodica: Ayumi Toyama
Guitar & Arrangement: Ryusuke Koarashi

Also its arrangement score has been available to purchase from here. Please have a look if you are interested in. As the website does not have a good translation for non-Japanese customer, please feel free to ask us if you want to buy the score and find difficulty with the procedure.

11 Sept 2013

Evening concert at East Finchley Methodist Church

Pocket Penguin joined in a concert organized by a singer, Viola da Cunha at East Finchley Methodist Church.

Performers:
Viola da Cunha (mezzo soprano)
Yuki Osedo (piano)
Jill Anderson (clarinet)
Ryusuke Koarashi (guitar)
Ayui Toyama (melodica)

We played some spanish repertoires with the singer. After the performance, some people told us that it was interesting to hear, as those songs are normally accompanied by just piano (or sometimes guitar), and they have never heard the combination of three parts including melodica.

Programme:
Manuel De Falla: 5 Spanish Popular Songs (with singer)
Musa Mirzayev: Lyrical Piece & 1st Dance from 6 pieces
Enrique Granados: El Majo Discreto (with singer)
Enrique Granados: Amor y Odio (with singer)
Joaquin Rodrigo: De los Alamos vengo Madre (with singer)
Aşık Veysel: Uzun İnce Bir Yoldayım
George Gershwin: Summertime (played by all together)

21 Jul 2013

Second Album: Prelude

The second album of Pocket Penguin "Prelude" finally became available to order from our store online. This time, we included only new works written particularly for melodica and guitar, whilst the first album "a bird flying over mountains" consists of arrangement works originally for different instruments.


Prelude

Tracklists:

1-5. Prelude I - V

6-10. Fragments of Dreams

11. Hoshikage

The preludes are series of experimental pieces that we described in the article before. "Fragments of Dreams" is a selection of pieces which Ryusuke writes every night. And the last piece, Hoshikage (meaning shadow of starlight in English), is a trio piece for violin, melodica & guitar. Hoshikage, titled in Japanese, was originally composed to perform at a charity concert for the great earthquake in Japan in 2011—the event eventually became the opportunity to start Pocket Penguin. Unfortunately this piece was not included in the programme of the concert and there has been no chance to perform until now. But finally it came out to be audible as a recording.

Why melodica & guitar - why not violin, piano or other instruments? It is a question we have been asked so many times by people since we have established Pocket Penguin. An answer is here in the album, it is simply because other instruments would not make it possible, if it is not the question asking about our original impetus to choose this combination.

We have been working with these particular instruments, searching possibilities of using them, sometimes along with, sometimes against a conventional way of producing sound. And we have eventually discovered plentiful ways of producing sounds specifically belonged to the instruments. The album consists of full of moments which were producible only by melodica and guitar, and were not replaceable by another instruments.

Both guitar and melodica is very commonly played all over the world, and this combination also may look not very unique. However we believe that the possibility of this combination has not yet been exhausted at all, and we are very much convinced that there still remains vast areas of sound making which is has not been explored enough. This album is just at near the entrance to the frontier of sound world.

We have done only what we wanted to do, and what we felt "should" do. We don't expect a big commercial success to this album, but only hope this album will reach to a person in somewhere in the world, to share a joy to meet a new sound and a dream.

The lovely art work was designed by Kaori Onishi, an illustrator and animator in London (Her recent works include "minna no uta", a famous music programme of NHK, Japan's national public broadcasting organisation). We gave her some fundamental ideas on composing sound and music, which penetrates the works of the album. She interpreted and reflected them on the artwork beautifully with her brilliant technique of drawing, in an unpredictable way to us.

The second album "prelude" is available with hard copy, we don't make it downloadable with audio files this time as the first one is.

P.S. please find that new goods of Pocket Penguin, stickers & postcards are also available to buy at our store now.

17 Jul 2013

Music Picnic & Kitchen Party

We performed at two events on 14th Jul, 2013. It was very busy and HOT day–London is currently in a heatwave, and apparently this weather is set to last throughout July–, but we enjoyed them very much.

Programme:

Music Picnic
Opening Theme of Amachan (Yoshihide Otomo)
Itumo nando demo (Yumi Kimura)
Çok Güzeller (Ryusuke Koarashi)

Kitchen Party
Shimauta (Kazufumi Miyazawa)
Opening Theme of Amachan (Yoshihide Otomo)
Uzun Ince Bir yoldayım (Aşık Veysel Şatıroğlu)
Vecherai Rado (Bulgarian Folk Song)
Polegnala e Todora (Bulgarian Folk Song)
Dilmano Dilbero (Bulgarian Folk Song)
Çok Güzeller (Ryusuke Koarashi)

Melodica: Ayumi Toyama
Guitar: Ryusuke Koarashi

30 Jun 2013

Uzun ince Bir Yoldayım

We uploaded a video of a Turkish folksong, Uzun İnce Bir Yoldayım (I'm On A Long Narrow Road) from previous concert in Izmir, Turkey. This is the first arrangement of a Turkish song for melodica & guitar. It might be rather surprise for us that we had not played Turkish music, considering for our big interest and love on the music.



The song, Uzun İnce Bir Yoldayım, is extremely popular in Turkey, has been continuously covered by many young musicians. The composer is Aşık Veysel Şatıroğlu, or just called as Aşık Veysel. Aşık, meaning 'one who is in love', is a minstrel or bard who traditionally travels with saz in Turkey, Azerbaijan, Georgia, Armenia, and Iran. Veysel was born in a small village of the Şarkışla district, in central anatolia, in 1894. He was a blind musician lived in a time of a political and social upheaval—the fall of ottoman empire, founding of the Republic of Turkey, and a rapid modernisation in 20th century. (I overlap him a little with Miyagi Michio, a Japanese innovative koto player/composer. He was also blind, and coincidentally was born in the same year.)

The lyrics are full of metaphors and symbols, so it is difficult to translate into English (or Japanese). In the song, Veysel sings about his life, likening a narrow and long road which he enters "a door" and walks towards "another door"—the end, day and night.

Here are some photos taken when Ryusuke visited Veysel's village and home in 2010, looking for Veysel's trace.

 
Veysel's house

  
Şarkışla


The tomb of Asık Veysel

A Concert in Matsushima Coffee in Nagoya Japan

The other day, we held a concert by melodica and guitar, at Matsushima Coffee in Nagoya. Since relocating to Japan from the UK, it was our f...